Taking Woodstock, Ang Lee’s latest film about the accidents, desperation, and missteps which led to the 1969 generation-defining concert, shares certain key elements with Cameron Crowe’s Almost Famous. They both chronicle the power of music to band and unite, or tear asunder; each illuminates a generation through rock ‘n’ roll; and both are responsible for introducing a rapturously captivating star.
Quentin Tarantino is returning to Cannes, the film festival where his second movie, a film that changed cinema forever, Pulp Fiction, won the prestigious Palme d’Or in 1994.
Quentin’s new movie, Inglourious Basterds, about a group of Jewish-American soldiers on a covert mission to brutally terrorize Nazis during the French occupation, will be competing against Ang Lee’s Taking Woodstock, Looking for Eric, which was directed by Ken Loach, who won the Palme d’Or in 2006 for The Wind That Shook the Barley, and 17 other films.